You have no items in your shopping cart.
Morris Rosenfeld established his business at the end of the Progressive Era (1890 - 1920), a time of great contradictions. The wealthy sported at golfing and polo, while the poor struggled to meet basic needs of food, shelter, and health. A Jewish immigrant himself, Morris sat on the edges of both worlds—photographing the most elegant yachts for private commissions, but also capturing on film the experiences of poor women and children receiving private assistance.
By World War I, American women were seen as responsible for the nation’s welfare. Care work -- whether in the form of housework, child care, nursing, teaching, or social work -- dovetailed with women’s perceived nurturing spirit. While this stereotype was limiting, it also made women’s role in civic and political life possible. Combining his artistic eye with commercial interests, Morris Rosenfeld captured images of women as care workers - at home, in the streets, with the American Red Cross, and the New York Floating Hospital.